<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/3755" />
  <subtitle />
  <id>http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/3755</id>
  <updated>2026-06-23T11:31:10Z</updated>
  <dc:date>2026-06-23T11:31:10Z</dc:date>
  <entry>
    <title>The Golden and Ghoulish Age of the Gibbet in Britain</title>
    <link rel="alternate" href="http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/35061" />
    <author>
      <name>Sarah Tarlow</name>
    </author>
    <id>http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/35061</id>
    <updated>2021-11-25T09:25:17Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Title: The Golden and Ghoulish Age of the Gibbet in Britain
Authors: Sarah Tarlow
Abstract: This book is the first academic study of the post-mortem practice of gibbeting (‘hanging in chains’), since the nineteenth century. Gibbeting involved placing the executed body of a malefactor in an iron cage and suspending it from a tall post. A body might remain in the gibbet for many decades, while it gradually fell to pieces. Hanging in chains was a very different sort of post-mortem punishment from anatomical dissection, although the two were equal alternatives in the eyes of the law. Where dissection obliterated and de-individualised the body, hanging in chains made it monumental and rooted it in the landscape, adding to personal notoriety. Focusing particularly on the period 1752-1832, this book provides a summary of the historical evidence, the factual history of gibbetting which explores the locations of gibbets, the material technologies involved in hanging in chains, and the actual process from erection to eventual collapse. It also considers the meanings, effects and legacy of this gruesome practice.
Description: xiii, 155 p. :	ill ;		https://doi.org/10.1057/978-1-137-60089-9	CC BY</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Tales of Research Misconduct: A Lacanian Diagnostics of Integrity Challenges in Science Novels</title>
    <link rel="alternate" href="http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/35054" />
    <author>
      <name>Hub Zwart</name>
    </author>
    <id>http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/35054</id>
    <updated>2021-11-25T08:27:58Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Title: Tales of Research Misconduct: A Lacanian Diagnostics of Integrity Challenges in Science Novels
Authors: Hub Zwart
Abstract: This monograph contributes to the scientific misconduct debate from an oblique perspective, by analysing seven  novels devoted to this issue, namely: Arrowsmith by Sinclair Lewis (1925), The affair by C.P. Snow (1960), Cantor’s Dilemma by Carl Djerassi (1989), Perlmann’s Silence by Pascal Mercier (1995), Intuition by Allegra Goodman (2006),  Solar by Ian McEwan (2010) and Derailment by Diederik Stapel (2012). Scientific misconduct, i.e. fabrication, falsification, plagiarism, but also other questionable research practices, have become a  focus of concern for academic communities worldwide, but also for managers, funders and publishers of research. The aforementioned novels offer intriguing windows into integrity challenges emerging in contemporary research practices. They are analysed from a continental philosophical perspective,  providing a stage where various voices, positions and modes of discourse are mutually exposed to one another, so that they critically address and question one another. They force us to start from the admission that we do not really know what misconduct is. Subsequently, by providing case histories of misconduct, they address integrity challenges not only in terms of individual deviance but also in terms of systemic crisis, due to current transformations in the ways in which knowledge is produced. Rather than functioning as moral vignettes, the author argues that misconduct novels challenge us to reconsider some of the basic conceptual building blocks of integrity discourse.
Description: ix, 263 p. :	ill ;		https://doi.org/10.1007/978-3-319-65554-3	CC BY</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Ethics and Literary Practice</title>
    <link rel="alternate" href="http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/33570" />
    <author>
      <name>Newton, Adam Zachary  (Ed.)</name>
    </author>
    <id>http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/33570</id>
    <updated>2021-08-18T02:04:06Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Ethics and Literary Practice
Authors: Newton, Adam Zachary  (Ed.)
Description: 248 p. ;	3.338 Kb ; https://doi.org/10.3390/books978-3-03928-505-1	CC BY-NC-ND</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Modernist Women Poets</title>
    <link rel="alternate" href="http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/33290" />
    <author>
      <name>Dowson, Jane  (Ed.)</name>
    </author>
    <id>http://thuvienso.vanlanguni.edu.vn/handle/Vanlang_TV/33290</id>
    <updated>2021-08-03T08:28:30Z</updated>
    <published>2020-01-01T00:00:00Z</published>
    <summary type="text">Title: Modernist Women Poets
Authors: Dowson, Jane  (Ed.)
Abstract: This Special Issue showcases poets who enhance the breadth of modernist literary practices while maintaining modernism as a meaningful and identifiable aesthetic. Thus, we take as the cohering concept a complex relationship to both gender and modernity that manifests inself-conscious experiments with language. We also respect and traverse rigid demarcations of period, nationhood and form
Description: ix, 185 p. ; 1.301 Kb ; CC BY https://doi.org/10.3390/books978-3-03936-881-5</summary>
    <dc:date>2020-01-01T00:00:00Z</dc:date>
  </entry>
</feed>

